7 Questions with Japanther
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Is it true that one of you met Calvin Johnson early in life and spent some time with him. Whats the story there? It seems like K Records might have been a big influence on the way you guys record and perform, if not on your music itself. What kind of influence do you think Calvin and K have had on your music?
My name is Ian Vanek and I grew up in Olympia, WA. I was extremely lucky to meet a billion great people who influenced me and gave me ideas to chew on. Without a doubt K influenced me as did Kill Rock Stars and all the other indie labels around OLY.
Your music seems extremely hard to pin down or classify. What are some of Japanther's primary musical influences?
Cartoons and laughing really influences us the most. We are not musicians and really don't want to be.
What is going on currently with your record label? Planning any releases from now until the end of the year?
Tapes Records just released the new JAPANTHER"Don't Trust Anyone Over Thirty" CD as well as the Bent Outta Shape LP/CD.
I read that you guys participated in some kind of synchronized swimming performance by creating a soundtrack for the swimming. Could you describe this project to us in a little more detail, and tell us how the idea came about?
The idea was cosmic. We saw Esther Williams in a hotel on the tele and laughed about making our own water ballet. Later in LA we got an email asking us to write songs for just such a ballet. The resulting"Dangerous When Wet" was staged (pooled) in May 2006 at NYU. It featured an olympic swimmer soloing to our song and a punk troupe called "Aqua Doom." Our friends at SAFE clothing even made costumes for the event. It was truly surreal from my vantage point.
I also read that you guys consider Japanther to be more of an art project than a band. What do you think the difference is between the two labels, and why do you think drawing such a distinction is important?
Bands are a dime a dozen and often times have very similar goals. Japanther was started as a means to make art, travel, laugh and dance. Songs were and are secondary.
Being a band from Williamsburg seems as though it would have its advantages and disadvantages. How do you like living and working there? I've heard people say that Williamsburg is on a downward spiral right now artistically and socially, but I've also heard that its starting to get more exciting and creative there since the hipster "buzz" about Brooklyn has died down. What do you think?
I tend to think it's getting better as more and more folks move there. You know Strikes and Gutters, man. Ups and Downs. We are barely home so it doesn't effect us as much as it might effect other bands. We can't afford a practice space so we play at home and that shapes our sound. New York is a hell of town with cycles upon cycles. Give it a chance and judge for yourself. All this shit magazines and blogs are writing about Brooklyn is hot air.
Can we expect any new recorded material from you guys in the near future?
We just finished our "Don't Trust Anyone Over 30"CD and our "Dump the Body In Rikki Lake" DVD. They will hit the stores officially in the fall but we are touring with them now. We also have a split seven inch with Juiceboxxx coming out and split seven inch coming out with The Good Good in Europe.
"Critical" MP3
Labels: interviews
3 Comments:
These guys have been coming to 1919 in Fort Worth for years. They put out a split 7" with the Sneeze, a Fort Worth band that eventually became BestFWends...
that's such a cool sound!
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